When I write a poem in what I call "verbose prose", it's about something that's actually important, not any indistinct males. Anyone nondescript is interchangeable and replaceable, and that's why my poems about relationships are written decipherable as opposed to a bombastic style imitating self-important academia. If it's wordiness is almost incomprehensible, it's improbable that it's about anything not philosophical, sociopolitical, economic, ethic , psychological, and so forth.